Showing posts with label Nichelle Nichols. Show all posts
Showing posts with label Nichelle Nichols. Show all posts

Monday, 1 August 2022

Asking Nichelle Nichols about the Phenomenon of Very Excitable Fandom

First, it was a first. Now, there are all kinds of conventions that celebrate their favorites, but this was the first. And so it was very, very different. And it was very honorable, you know? They loved the show. They got it. They got that Gene Roddenberry created something in the future that "today" -- 1966 -- dispelled all the racism, all the ... Dr. King was marching, every day you'd look on the TV and people are having hoses and dogs [used on them] because they wanted to eat at a fountain -- though they wanted more than that. 



And Dr. King was the person who was guiding that. And Gene was the person who was announcing that not only was this going to succeed, but it already has, because when the 23rd century [arrives], see, there's Nichelle, there's Uhura, in the 23rd century, communication officer, fourth in command. So it didn't just start in the 23rd century. It started from what you're seeing on television every day. Men and women of the future are here now. 

[And the fans] got it. I'll just tell you one of the most important things that someone said who was white. He said, "When discrimination, when racial discrimination was outlawed, black people weren't the only people who were freed. We were freed, too. We were freed to care, we were freed to think and not be bound by racism, and protocol, and what our parents think." Because a lot of parents didn't want their kids looking at Star Trek.

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Friday, 12 October 2018

Nichelle Nichols. Her Legacy Project.

Nichelle Nichols plans her final on-screen performance (as the matriarch of the family) for a film she is executive producing and calling her so-called legacy project: Noah's Room. The film is inspired by true events and is about "bringing diverse people together with love, faith, and forgiveness" and a "contemporary look at what it's like to be black in today's America". It tells the story of a black US-American family taking in an abused white youth (via) and saving his life. The young man "goes on to be an astronaut" (via).



"Noah’s Room is currently in a bidding war with a number of companies interested in green-lighting Nichols bold hour-long tv series. The series will focus on an African American family who takes in a white youth that has been abused by the Foster Care system, changes his life through love, redemption and forgiveness, a second chance on life." (via)

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Thursday, 15 February 2018

Infinite Diversity in Infinite Combinations

Spock's IDIC (Infinite Diversity in Infinite Combinations) medallion first appeared in the dinner scene of "Is There in Truth No Beauty?" (season 3, 1968). It was inserted into the script because Gene Roddenberry wanted to sell it at his Lincoln Enterprises (he had already tried to include the IDIC at the end of the episode "Spock's Brain" but his suggestion was ignored, probably because it was too late to implement it). As Nimoy, Shatner and other actors were not amused, Roddenberry agreed to rewrite the dinner scene and use the Vulcan IDIC in a less prominent way (via and via).



"Our first day of filming, Tuesday, July 16th, arrived, and I was greeted with a mutiny on the Enterprise. Bill Shatner and Leonard Nimoy had very strong objections to a portion of the scene we were scheduled to do that day and were refusing to film. Since the objection was to dialogue involving a piece of jewelry that Gene Roddenberry had designed, he was summoned to the set. (I have since learned that Leonard Nimoy first phoned producer Fred Freiberger to tell him of the problem. When Freiberger refused to take any action, Leonard called Roddenberry.) The morning was spent in a round table war with the six characters involved in the scene plus Gene and me. But the battle was strictly Bill and Leonard vs Gene. Bill and Leonard felt Gene was using the scene as a promotional commercial for a pin he had designed; the pin was part of Leonard’s costume. Gene vehemently denied these accusations, but the guys were adamant in their refusal to be a part of something they considered to be commercially oriented." 
Ralph Senensky

"I got my script change, read the new scene and with my jaw still hanging open, I called Fred down to the set, asking him, 'What's this IDIC thing about?' I knew that Lincoln Enterprises would soon be selling these things, and there was no way that I was going to muck up a perfectly good story line just so we could include Gene's rather thinly veiled commercial. With that in mind, I flatly refused to do the scene. Freiberger hemmed and hawed about the difficulties involved in re-revising the script, but as I spoke to him recently for this book, he finally admitted that he was actually relieved that I wouldn't do the scene. It was probably the first time in history that a producer was glad to be dealing with a 'difficult' actor...
Leonard and I had both seen through Gene's marketing ploy, and one after another we'd refused to play the scene. Still, when Gene came to the set, he did his very best to push it through. To his credit, Roddenberry was completely honest about the situation and didn't try to mask his free publicity scam behind any half-baked creative half-truths. He simply stated that Lincoln Enterprises would soon be marketing these medallions, and that he'd really appreciate our cooperation in getting the product into this storyline.
So I went through a great deal of soul-searching and teeth-grinding over the situation, and finally I just had to say, 'Gene, I'm sorry, but I can't do this.' Roddenberry accepted my refusal, but kept working on Leonard." 
William Shatner

"Although I didn't appreciate Spock being turned into a billboard, I at least felt that the IDIC idea had more value than the content of the original scene. We filmed the scene as Gene had rewritten it. But the whole incident was rather unpleasant; Roddenberry was peeved at me for not wanting to help his piece of mail-order merchandise get off to a resounding start, and Fred Freiberger was peeved at me for going over his head."
Leonard Nimoy

"I go by the Star Trek philosophy. We called it IDIC, an acronym for infinite diversity in infinite combinations. To have a good, vibrant society, we need to recognize that as an asset - something that makes us a much more progressive society but also, a more engaging society.
George Takei

"Infinite diversity and infinite combinations is what makes the world beautiful and it's true, as true today as it was then. And that's where a place of in my heart. I thank Gene for that legacy."
Nichelle Nichols



Original script:

MIRANDA
No, I was merely looking at your Vulcan IDIC, Mister Spock. (looks up, curiously) Is it a reminder that as a Vulcan you could mind-meld with the Medeusan much more effectively than I could? (to the others, but smiling) It would be most difficult for a Vulcan to see a mere human take on this exciting a challenge.

McCOY (to Spock) 
Interesting question. It is a fact that you rarely do wear the IDIC.

KIRK
I doubt that Mister Spock would don the most revered of all Vulcan symbols merely to annoy a guest, Dr. Jones.

SPOCK (to Miranda) 
In fact, I wear it this evening to honor you, Doctor.

MIRANDA
Indeed?

SPOCK (nods) 
Indeed. Perhaps even with those years on Vulcan, you missed the true symbology. (indicates medallion)
The triangle and the circle... ...different shapes, materials, textures...represent any two diverse things which come together to create here...truth or beauty. (indicating the parts, looks up) For example, Doctor Miranda Jones who combined herself and the disciplines of my race, to become greater than the sum of both.

Kirk can see Miranda isn't fully sold on Spock's intentions ...he changes the subject.

KIRK
Very interesting, I might even say...fascinating.



And here the official description of the IDIC pendants:

"SYMBOLOGY [sic] OF THE IDIC. There are two basic shapes and two basic colors and textures, i.e., the circle and the triangle. Generally, they represent that all things meaningful or beautiful are created by the joining together of different things. The pyramid can represent man and logic while the circle represents all of creation, i.e., man and creation joined together to create beauty. Also, the triangle-pyramid represents man and the circle represents woman and the jewel represents the beauty that their joining together is capable of creating. Or it can mean the truth which comes out of the blending of different ideas and creeds or the strength and beauty that comes out of the joining of different races, or the rich life which comes out of surrounding oneself with friends who have ideas different from your own and the rich cross-fertilization which occurs in such associations.
The Vulcan in it, is that the glory of creation is in its infinite diversities and infinite combinations possible. As such, the IDIC represents and idea of universal brotherhood far beyond that represented by any other symbol we know of."

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images via and via and via

Saturday, 8 July 2017

Hoping dream becomes reality, by Nichelle Nichols (1968)

Like most entertainers, TV and cinema personalities. it has been my pleasure to be actively involved with the struggle of my people attempting to extricate themselves from the bonds of discrimination, prejudice, and bigotry that has held us so fast, for so long.



I’ve been more than happy to appear at schools, churches and community affairs in hope that what success I have attained could serve as an inspiration for some black youth who might otherwise give up. The energy and time I have invested in helping the mothers of Watts, VISTA, Head Start, Bootstrap and OIS has been meaningful to me.

Fighting for a race

I know I am not only fighting and working for my people as a race, I’m fighting for myself as an individual as well. As a black person, I am affected by the same unjust elements, simply on a different level.

One of the most enlightening experiences I’ve had was in a poverty area church . . . predominantly black. The minister had asked me to talk to the youth group. His concern was for their future, their ambitions, and discouraging from violence.

What can one say to a 17-year-old black boy who says, “Miss Nichols, before I die in Vietnam for a country that will not acknowledge me as a person, I’d rather die in the streets fighting for my freedom here. And if not my freedom. maybe the next generations to come.”

Perhaps this was the first time I had truly understood the meaning of the Black Movement, for even in spite of their despair I could feel a great sense of pride. Many of the girls and boys now wore their hair in the natural style. Yes, they were black AND proud of it. Poor AND not happy with it. American AND determined to be treated like it. Could I assure him of equality? Could I assure him of his rights?

As the first black woman in a TV series, I had made a small fissure in the wall surrounding a closed wall called “for whites only.” Would I set a precedent to help open the way to greater involvement in the industry? Would I be able to gain greater acceptance and understanding of my people as people?

At that moment, I realized how badly my people need help, and how badly my country needed help.

The best way to help my people and all people is to help the nation wake up. We as a enemy known to man, ourselves. people are facing the greatest As long as we live from riot to riot and from assassination to assassination, this country is in trouble.

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The article "She's hoping dream becomes reality" was originally published in The Star Press (Muncie, Indiana) on 26 July 1968, text via Click Americana



images via and via

Friday, 7 October 2016

"It's as simple as that."

"Star Trek is about the freedom to be who you are, and be respected for who you are. It demands that you respect everyone else equally. It's as simple as that."
Nichelle Nichols



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Sunday, 15 November 2015

The Conscience of Star Trek

"Mr. Roddenberry started calling me the conscience of Star Trek."
Leonard Nimoy



"In fact, I got to know Mr. Spock long before I knew the actor who played him. It was a mark of his integrity that he was so loyal to the role he portrayed. When I finally did get to know the man better, I discovered his compassion, his intelligence and his humanity. All of which laid the foundation for his keen sense of philanthropy."
Walter Koenig

According to Star Trek cast member Walter Koenig (U.S.S. Enterprise's navigator "Pavel Chekov"), Leonard Nimoy fought for gender pay equity in the 1960s and made sure "Lieutenant Uhura" Nichelle Nichols was not paid less than Walter Koenig and "Hikaru Sulu" George Takei.
"Leonard (Nimoy, Mr. Spock) was always kind of unapproachable. But a very good man. Sound ethics and a good sense of morality." "When it came to the attention of the cast that there was a disparity in pay in that George [Takei] and I were getting the same pay but Nichelle was not getting as much, I took it to Leonard and he took it to the front office and they corrected that." "There was also the case where George and Nichelle we’re not hired to do their voices in the animated series. I refused to do Spock until they were hired. Mr. Roddenberry started calling me the conscience of Star Trek."  Walter Koenig


- related posting: Leonard Nimoy
- photographs of Leonard Nimoy via and via

Monday, 8 July 2013

More on space, spiced with some science fiction and a lot of diversity

Star Trek - The Original Series from the 60s are often cited for the heterogeneity of their team. Oftentimes, what seems to be a natural thing today needed moral courage at the time. When Captain James T. Kirk kissed Lt. Uhura (in Plato's Stepchildren) NBC became seriously concerned that the kiss would anger TV stations in the Deep South. The choice of Nichelle Nichols, alias Uhura, was a groundbreaking one and of such a symbolic importance for the civil rights movement that Martin Luther King praised her work and asked her to continue it. After the cancellation of Star Trek, Nichols started volunteering in NASA projects recruiting minority and female personnel ... among others the first American female astronaut. (Source: Wikipedia, photo via)