Showing posts with label classism. Show all posts
Showing posts with label classism. Show all posts

Sunday, 27 October 2024

Drummies

London-based, South African photographer Alice Mann started her series "Drummies" after reading a newspaper article about drum majorettes in 2017. Mann photographed eleven teams (school teams and club teams) in two provinces in South Africa. Some of the girls are from underprivileged backgrounds. To them, being a drum majorett means a lot since, as Mann notices, it can open doors (via)

“As a young, white, South African photographer, I am very aware of my position when making photographic work, and I always try to let this awareness affect my process. The ways that images have been used in South Africa, as a tool of colonialism, as a tool of apartheid, has a very violent history. So it is important to me that I can create work that empowers and elevates the people I work with. Particularly as I am often working with women, and with younger people, I need to ensure that the resulting images are challenging the representation of these individuals as victims.”
Alice Mann

“I’m interested in examining the relationship between community versus individual identity; how does a sense of belonging affect the way we perceive ourselves? I think wanting to belong is something that everyone identifies with, and this is an idea I return to often in my work… I’m fascinated by the way that feeling a part of something can reinforce an individual’s sense of self.”
Alice Mann

“The sport is a very empowering one for young women to be involved in. You can see how being part of the team creates a powerful sense of belonging and is a safe female space where the girls are very supportive of each other. There are a lot of accolades associated with being a drum majorette, and the discipline and hard work required says a lot about the person who can commit and put in the hours. The girls feel very proud to be majorettes, and this pride is evident.”
Alice Mann

“Photographs are so ubiquitous, and these images have such a powerful role to play. As an image-maker, I wanted to contribute in a way that might prompt people to re-examine the set ideas we have, because of what we are used to seeing,”
Alice Mann

photographs by Alice Mann via

Thursday, 7 September 2023

Fuel Poverty and the Heat or Eat Diaries

Fuel poverty means being on a low income and at the same time facing high costs of keeping warm and ensuring basic energy services. It is driven by household income, the increasing cost of energy and the energy efficiency of a home. In 2020, one in five UK households with dependent children experienced fuel poverty. 

Households more likely to be affected by fuel poverty are, for instance, those that are home to people with disabilities or ethnic minority households.

Living with a disability increases the risk of experiencing fuel poverty. It leads to a reduced income: 27 per cent of households that include someone who is disabled are on a low income when measured before housing costs, compared with 15 per cent of households with no disability; and their cost of living is higher. Disabled people face higher energy bills due to having additional needs (such as medical equipment that requires a power source) and spending longer periods at home (41) (42) (2).

Minority ethnic households are more likely to be in fuel poverty than White households (Figure 8). This is partly explained by the income inequality experienced by Minority ethnic households. Official rates of fuel poverty show a decrease in the fuel poverty gap between White and non-White households since 2017, but fuel poverty rates are still higher for Minority ethnic households (43) (44).

Fuel poverty also means health inequality and has a negative impact on health. It can either cause or worsen poor mental health, dementia, respiratory and cardiovascular conditions, hypothermia, and problems with child development. According to estimations, the NHS spends a minimum of 2.5 billion pounds per year on treating illnesses that result from cold and damp homes.

Cold homes and fuel poverty contribute to the phenomenon of excess winter deaths. England saw an estimated 63,000 excess winter deaths in 2020–21. Estimates suggest that some 10 per cent of excess winter deaths are directly attributable to fuel poverty and 21.5 per cent are attributable to cold homes. (Lee et al., 2022)

Older adults, children and people with chronic illness or disabilities are more likely to experience the consequences in terms of health. Since body temperature lowers with old age, physiological thermoragulation becomes less effective. Cold temperature can cause rising blood pressure in older people and increase the risk of strokes. According to a study, the Fuel Poverty Index is a predictor for hospital admittance since there is a relationship between energy efficiency of the home and winter respiratory symptoms among older people.

Studies indicate that cold conditions can exacerbate existing medical conditions including diabetes, certain types of ulcers and musculoskeletal and rheumatological conditions (55). Decreasing body temperature is associated with a build-up of markers for dementia and Alzheimer’s in the brain. A study of over 3 million patients in the United States found fewer dementia-related hospital admissions when temperatures were warmer than average, and that variability in temperatures increased admissions (62). People living in fuel poverty with a diagnosis of dementia may be even more at risk from cold homes due to difficulties in communication and difficulties in being able to self-manage their indoor temperature (such as managing a heating system or being able to dress for the cold), and may become more confused (63). 

Excerpts from "Heat or Eat Diaries" of people living in the United Kingdom (The Guardian):

- 1  Marin, in her 60s

(...) I have battled a fair deal in my 60-something years, but these are some of the hardest times, demanding all of my fortitude. Because this isn’t living, it is enduring. I always got by, but now, due to low pay, soaring prices and my age, I teeter closer and closer to poverty. I worry about being able to keep earning enough to pay my bills. I worry how I’ll get through the next five years to state pension age. I worry, and then what? I worry. 

“Heat your room to 18C,” says the health advice. But what if you don’t have the money? There have been moments over the past few days when I have been so cold I can’t get warm, fingers fridge-chilly and stiff, body weary. I read about what the cold does to your body, increasing the risk of stroke and heart attack. The government knows this. Illness brought on from people being unable to keep themselves or their families warm is inhuman. Putin didn’t start austerity, the Tories did. (...)

I used to read my son Charlie and the Chocolate Factory, where his grandparents never got out of bed, and realise this is my life now. I am freelance, so I work from my bed – it’s a claustrophobic world. My woollen mattress topper, purchased in a charity shop for £10, helps keep me warm and is the best find ever. I try not to think about who probably died on it.

(...) My rented home is poorly insulated – I put the heating on for two hours last week to dry some washing and the temperature rose from 7C to 8.5C. (...)

- 2  Sophie, single mum to two autistic children

(...) Today I had cold rice pudding because I didn’t want to use the microwave. When I boil the kettle, I fill a flask up, so I can have another cup of tea later or some instant soup for lunch. The other day, I boiled some eggs in the same pan I was cooking pasta. Frozen veg seems to cook quicker and I do it all in one pan, and I’m certainly not cooking a roast dinner at the moment. It’s about scrimping and saving where I can to minimise that initial shock. (...)

- 3  Siobhan, in her 30s

(...) My dad is entitled to a rebate from his electricity provider – which got more and more urgent when temperatures dropped to -8C. He doesn’t have central heating, he’s 6ft 4in but only weighs about 8 stone. He needs the space heater on, but electricity has been costing him £15 a week. To claim the rebate on his behalf – which isn’t paid in cash, it just credits his account – I have to go to a post office with one of three forms of ID: either a passport, a driving licence or a utility bill. But my dad doesn’t have a passport or a driving licence. What’s the point when you’re too sick to travel or drive? He doesn’t have a utility bill as it’s all done online: who has a utility bill in 2023? 

For weeks, my life has been hanging on the phone to his electricity provider, who assure me every time that the post office will accept alternative ID, like letters from the DWP or the council or the NHS – and then queueing in every post office within walking distance, only to be turned away in front of a long line of neighbours because it’s not the ID specified by the provider. 

Yesterday, finally, my dad told me to give up as I probably looked too scruffy – and ask my landlord to have a go instead. My landlord went in – a middle-aged, middle class, white man – and the post office added the rebate to my dad’s account straight away. It may be just coincidence, but things like that make me so angry. I’m walking around in this total rage – and then a day later, I’m numb, then I’m so tired and exhausted to my bones, I feel like I’m going to cry. Then all that passes and I feel really accepting of all the stuff I can’t change – before something happens to trigger the anger again. I’m living on this constant emotional rollercoaster. 

Loads of my energy is spent keeping Dad warm. It’s hot-water bottles, blankets and I’ve now ordered him heated clothing – leggings and a vest that you can charge up with a USB, a bit like an electric blanket, but wearable. They were expensive – £30, so it was a big decision – but he’s so poorly that if he doesn’t stay warm, he’ll die. Like everything in the post, though, they still haven’t arrived. (...)

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- Alice Lee, Ian Sinha, Tammy Boyce, Jessica Allen, Peter Goldblatt (2022). Fuel poverty, cold homes and health inequalities. London: Institute of Health Equity.
- photographs by Saul Leiter via 

Thursday, 21 November 2019

Britpop. A (not so subtle) tribute.

"The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled."
Joni Stratton



In the 1990s, Britpop, or the era of "Cool Britannia", became an important part of national identity. It re-branded Britain (via), music and lyrics were "uniquely British" (via).
“Cool Britannia” as an identity was established by the Government. In 1997, New Labour established a landmark victory and promoted themselves as a new start for a Britain that was fast becoming ravaged by unemployment and poverty. New Prime Minister Tony Blair attempted to build on his image by holding a reception at Downing Street for the great and the good on the British art and music scenes and both the Government and the media used the event to highlight the fact that the public should be proud of what was becoming established as a cultural high point for the arts in Britain. (via)
Blur, Oasis and Pulp were "The Holy Trinity of Britpop". While Oasis came from working class background and wrote songs about unemployment, dole checks, cigarettes, alcohol, and an absent father (via), and Pulp responded with "a certain romanticism of working-class culture" (via), Blur were billed as so-called "posh boys" from London with university education. Media, in fact, turned "the battle of the bands from a musical debate into a class war" (via) between the working-class northeners Oasis and the middle-class southerners Blur (via). Britpop finally became known for "highlighting working class Britain and bringing it to the forefront of national identity", blowing "against the repressive forces of political correctness, class division and petty snobbery". The dress code - baggy sports clothing, trainers and Parka jacket - were part of it (via).
Some critics say that the representations of British identity were not authentic and reinforcing "a nostalgic and chauvinist cultural turn which privileged whiteness and to a lesser extent maleness" and that Britpop was marketed by Tony Blair's New Labour (via). Others, again, speak of a proto-feminist movement coming out of Britpop (via) and point out that its representation of national identity was more complex and that non-white and non-English Britpop musicians were there but widely ignored in the academic critique (Lueders, 2016). One thing is clear, Britpop is fantastic. And, it is not really over since a great many bands in the post-Britpop era are influenced by it ... showing discontinuities but also continuities between post-Britpop and the first-generation Britpop (Collinson, 2010).



Britpop Selection:

::: The Bluetones: Slight Return LISTEN/WATCH
::: The La's: There She Goes LISTEN/WATCH
::: The Lightning Seeds: What If LISTEN/WATCH
::: The Boo Radleys: Wake Up Boo! LISTEN/WATCH
::: Travis: Tied to the 90s LISTEN/WATCH
::: The Charlatans: The Only One I Know LISTEN/WATCH
::: Supergrass: Going Out LISTEN/WATCH
::: Blur: The Universal LISTEN/WATCH
::: Oasis: Champagne Supernova LISTEN/WATCH
::: The Verve: Bitter Sweet Symphony LISTEN/WATCH
::: Super Furry Animals: Something 4 the Weekend LISTEN/WATCH
::: Pulp: Disco 2000 LISTEN/WATCH
::: Cast: Sandstorm: LISTEN/WATCH
::: The Lightning Seeds: What You Say LISTEN/WATCH
::: Oasis: Roll With It LISTEN/WATCH
::: Travis: Why Does It Always Rain on Me? LISTEN/WATCH
::: The Lightning Seeds: Sugar Coated Iceberg LISTEN/WATCH
::: Supergrass: Sun Hits the Sky LISTEN/WATCH
::: The Lightning Seeds: You Showed Me LISTEN/WATCH
::: The Verve: Lucky Man LISTEN/WATCH
::: Supergrass: Alright LISTEN/WATCH
::: The Lightning Seeds: Life's Too Short LISTEN/WATCH
::: Pulp: Babies LISTEN/WATCH
::: The Verve: Sonnet LISTEN/WATCH
::: The Lightning Seeds: All I Want LISTEN/WATCH
::: The Boo Radleys: Wish I Was Skinny LISTEN/WATCH
::: Echobelly: Great Things LISTEN/WATCH
::: The Lightning Seeds: Ready or Not LISTEN/WATCH

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- Collinson, I. (2010). Devopop: Pop-Englishness and Post-Britpop Guitar Bands. In A. Bennett & J. Stratton (eds.) Britpop and the English Music Tradition (163-178). London & New York: Routledge.
- Lueders, C. (2016). Britpop's Common People - National identity, popular music and young people in the 1990's. University of London: Doctoral Thesis, LINK
- photographs of Richard Ashcroft via and Damon Albarn via

Thursday, 16 January 2014

The -ism Series (5): Classism

"I'm every bourgeois nightmare - a Cockney with intelligence and a million dollars."
Michael Caine



Class is a rather vague term. So are class distinctions in many countries. In some, there is the prevailing myth of a classless society adding to its elusive nature. Although it is called a myth, the construct of class is said to influence virtually everybody. Money is a crucial aspect of class but it is also about power, prestige (Russell, 1996) and access to resources. The concept of power is strongly linked to class since it can predict to what extent one can benefit from a society's resources. It correlates with life experiences and has an impact on what an individual is likely to learn, believe, achieve (Lott, 2012) and think about himself or herself. The experience that one belongs to a disapprobated group can affect self-concept and self-esteem and may lead to an internalisation of classism (Russell, 1996).

Cockney is both a regional dialect and a class dialect. It is connected with London's working class and used to be considered as the most despised non-standard form of English probably because Cockneys lived near London's high society which made the difference to standard English more noticeable. Today, people seem to be comparably more tolerable to Cockney (Koudelkova, 2012). No longer "every bourgeouis nightmare"...

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- Lott, B. (2012) The Social Psychology of Class and Classism, American Psychologist, 650-658
- Koudelkova, L. (2012) Cockney and Estuary English. Diploma Thesis via
- Richardson, L. (2005) Sticks and Stones: An Exploration of the Embodiment of Social Classism. Qualitative Inquiry, 11(4), 485-491
- Russell, G. M. (1996) Internalized Classism: The Role of Class in the Development of Self. 59-71
- Photograph of Michael Caine (by Brian Duffy) via