Time As We Know It. By Marna Clarke.

I am 81 years old, my partner 92. On my 70th birthday, I woke from a dream in which I had rounded a corner and seen the end. This disturbing dream moved me to begin photographing the two of us, chronicling our time together, growing old. 

Now, 11 years down the line, he and I face numerous physical challenges: decreased mental acuity, especially memory; the diminished quality of our skin, hair and teeth; mild disfigurement; as well as the need to tend vigilantly to our balance, hearing, sight, physical agility and getting adequate sleep. Inside we are learning to accept it, sometimes going from anger, impatience, sadness or fear to seeing the humor in the idiosyncrasies of aging. We realize that if we can be comfortable with our own aged appearances and limitations, then the potential exists that others will become more comfortable witnessing this transformation and possibly become more comfortable with their own. 

I have entered a taboo territory: aging and death. The creation of these photos is part of my own way of dealing with the inevitability of dying by bringing attention to it and accepting it. I have come to embrace the photographs as a tribute not just to our lives but also to the demanding and courageous task of growing old gracefully, graciously, and aware. A certain wisdom is evolving from years of living and observing, eventually unveiling previously unseen associations, patterns and similarities. I am gaining a much-appreciated perspective that was not available to me previously.
Marna Clarke

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photographs by Marna Clarke via

Drummies

London-based, South African photographer Alice Mann started her series "Drummies" after reading a newspaper article about drum majorettes in 2017. Mann photographed eleven teams (school teams and club teams) in two provinces in South Africa. Some of the girls are from underprivileged backgrounds. To them, being a drum majorett means a lot since, as Mann notices, it can open doors (via)

“As a young, white, South African photographer, I am very aware of my position when making photographic work, and I always try to let this awareness affect my process. The ways that images have been used in South Africa, as a tool of colonialism, as a tool of apartheid, has a very violent history. So it is important to me that I can create work that empowers and elevates the people I work with. Particularly as I am often working with women, and with younger people, I need to ensure that the resulting images are challenging the representation of these individuals as victims.”
Alice Mann

“I’m interested in examining the relationship between community versus individual identity; how does a sense of belonging affect the way we perceive ourselves? I think wanting to belong is something that everyone identifies with, and this is an idea I return to often in my work… I’m fascinated by the way that feeling a part of something can reinforce an individual’s sense of self.”
Alice Mann

“The sport is a very empowering one for young women to be involved in. You can see how being part of the team creates a powerful sense of belonging and is a safe female space where the girls are very supportive of each other. There are a lot of accolades associated with being a drum majorette, and the discipline and hard work required says a lot about the person who can commit and put in the hours. The girls feel very proud to be majorettes, and this pride is evident.”
Alice Mann

“Photographs are so ubiquitous, and these images have such a powerful role to play. As an image-maker, I wanted to contribute in a way that might prompt people to re-examine the set ideas we have, because of what we are used to seeing,”
Alice Mann

photographs by Alice Mann via

The Demolition of Ableism. By Linda Williams.

"To the Government Agency whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Charity whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Medical “Expert" whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Executive Teams whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Media, Print, Film, and Television Industry whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Consumer Goods Industry whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Education Systems whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

To the Demagogues, Charlatans and Profiteers of disability whose top down directives erase, speak over, and maintain ableism in our society: we are calling you out. This is the demolition of Ableism. 

Real social change begins in ways that are not always stylistically graceful. It is unruly, messy, and very real. But this is how we start."

Linda Williams, Invisible Disability Project

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photographs (A Self-Portrait of Depression) by Jenn Terrell via

The Holy Week Uprising

After Martin Luther King, Jr. was murdered in April 1968, riots erupted in nearly 200 US-American cities. During the days that followed his death, the U.S. experienced the greatest wave of social unrest after the Civil War (via). These riots were a direct reaction to King's assassination. His assassination is, however, not seen as "the" reason. Tensions had already been high before King's death. Segregation was officially over but still part of everyday life. Being Black meant discriminatory housing policies, income dispartities, poverty, and lacking job opportunities. Due to these conditions, Black US-Americans often had to move to (Black) low-income areas which were not only poorly maintained but also meant being hassled by local police (via)

(Above: "A crowd described as "militant, dancing and chanting" takes part in a memorial to Martin Luther King Jr. in Garfield Park on April 7, 1968. This photo was published in the April 8, 1968, Milwaukee Sentinel. The banner depicts black activist H. Rap Brown, who famously said the previous summer, "Violence is as American as apple pie.") 

58,000 National Guardsmen and Army troops assisted law enforcement officers in handling the violence. 43 people were killed, around 3,500 were injured, 27,000 were arrested and 54 of the cities affected saw more than 100,000 dollars property damage, Washington D.C. experienced the most property damage. There, twelve days of unrest meant 1,200 fires and 24 million in insured property damage (174 million dollars in today's currency). It took decades for some neighbourhoods to fully recover. The fires had destroyed buildings, made thousands of people homeless and jobless, too many had died in burning buildings. In Baltimore, which came second to Washington in terms of damage, crowds first gathered peacefully to hold a memorial service. After a couple of small incidents, 6,000 National Guards arrived and protests erupted (via).

“If I were a kid in Harlem, I know what I’d be thinking right now. I’d be thinking that the whites have declared open season on my people, and they’re going to pick us off one by one unless I get a gun and pick them off first.”
President Johnson

"America must see that riots do not develop out of thin air. Certain conditions continue to exist in our society which must be condemned as vigorously as we condemn riots. (A riot) is the language of the unheard."
Martin Luther King

"For years, many white Americans mistakenly conceived of racism as a “Southern problem” and believed that Jim Crow only resided south of the Mason-Dixon Line. The racial violence of the 1960s throughout the country rudely awakened the nation to the speciousness of this belief. 

Yet no sooner had that belief been discarded than it was immediately replaced with a new and equally false one: that America’s race problems extended only to our large cities and their inner-city ghettos, but not beyond that. The terms that we used — and still use — contributed to the misunderstanding of what was taking place. By using the term “riots,” we reinforce the notion that these acts of “collective violence” were spontaneous and apolitical and that they were disconnected to the protests for civil rights in the South. But a closer examination of them, individually and collectively, proves otherwise. 

This flawed understanding had real consequences. Focused on large cities, the national media gave sparse coverage to the revolts in York and other midsize and small cities, despite the fact that the majority of them occurred in such places. In 1969 alone, revolts rocked midsized cities like Hartford, Conn., Harrisburg, Pa. and Fort Lauderdale, Fla."
Levy, Washington Post

photographs via and via and via and via and via and via 

Distraction

“The very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being.”

Toni Morrison

photograph of Toni Morrison by Jill Krementz (1974) via

Home for the Golden Gays

The Home for the Golden Gays is a Philippine non-profit organisation founded by lawyer and activist Justo Justo (1941-2012) in 1975. Justo envisioned "a care home for aging members of the outcasted gay community". After his death, the community were evicted and some members became homeless. Only in 2018, they started renting a house again (via and via and via). Its status, however is still precarious since the shelter depends on irregular and insufficient donations. The elderly residents continue working, giving performances or side gigs as street vendors or haircutters. It is no coincidence that the official slogan they chose is "Don't get sick" (via).

To be old and LGBT can be particularly difficult. Official statistics on the elder LGBT community remain scant, but a survey of LGBT-identifying Filipinos aged between 50 and 74 released in June found that 40% of respondents lacked money for necessities like food and medication. According to the survey, 48% of the respondents feared losing their homes within 2022. Some were unstably housed and others said they lived on the streets or in parks. (via)

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photograph by Hannah Reyes Morales via

Cultural Ageing Stereotypes in Europe

Abstract: A growing body of literature acknowledges the association between negative stereotypes and individual components of active aging, but very few studies have tested this association, at both individual and population levels. The Stereotypes Content Model (SCM) states that the cultural aging stereotyping of higher warmth than competence (called paternalistic or ambivalent prejudice) is universal. Our aims in this study are to test the extent to which the universality of this stereotype is confirmed in European Countries as well as how far "positive", "negative" or "ambivalent" views towards older people, and other negative attitudes such as prejudice and behaviours such as discrimination, predict active aging assessed both at individual and population levels. 

We have analyzed data from the European Social Survey-2008 (ESS-2008), containing SCM stereotypical and other appraisal items (such as direct prejudice and perceived discrimination) about adults aged over-70 from 29 European countries. First, SCM cultural stereotypes about older adults ("friendly", "competent", and "ambivalent") were calculated; secondly, after developing a typology of countries based on their "negative", "ambivalent" and "positive" views about older adults, the universality of cultural stereotypes was tested; thirdly, taking into consideration ESS data of those older persons (over 70s) who self-reported indicators of active aging (health, happiness, satisfaction and social participation), multilevel analyses were performed, taking our inter-individual measure of active aging as dependent variable and our stereotypical classification (positive/negative/ambivalent), direct prejudice and perceived discrimination as predictors; finally, relationships between stereotypical and appraisal items on older adults were examined at population level with country data from Active Aging Indexes. Our results show cultural stereotypes about older people (more friendly than competent) are widespread in most European countries, and negative cultural views of older adults are negatively associated with active aging both at individual and population level, supporting that negative cultural views of older adults could be considered as a threat to active aging. (Fernandez-Bellasteros et al., 2020)

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- Ferndandez-Bellasteros, R., Olmos, R., Perez-Ortiz, L. & Sanchez-Izquierdo, M. (2020). 

Cultural aging stereotypes in European Countries. Are they a risk to Active Aging? PLoS One, 15(5), link

- photograph by Vivian Maier via

The well-behaved, asexual, uncomplaining subject

"I recall being uneasy as a student when teacher after teacher explained that therapy was pointless or operation unnecessary because the patient was old, had had his time, could not expect miracles, and so on. Some moved the age of expendability far forward: at fifty five or sixty the genital system became expendable (“he or she won’t need it now”); at sixty-five further therapy was to be limited to encouragement. 

The image of later life was that of the well-behaved, asexual, uncomplaining subject, patiently awaiting the next world, to be kept as a pet if cheeringly vigorous, if not, to be jollied and avoided."

Alex Comfort, 1980 (1920-2000)

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photograph by Tony Ray-Jones via

There are consequences with age ...

"There are consequences with age, so you have to evolve. I've loved becoming a filmmaker. But I would love to continue modeling, and there isn't really any job for me. It's being marginalized - that's the sad part."

Isabella Rossellini"

photograph via

Not the Usual Gender Pay Gap

According to top modelling agent Elizabeth Rose, male models are paid 75% less than female models. While all the top ten female models make millions, only the top three male models make over a million.

The world's highest paid female model made 35 million pounds in 2015 (source Forbes), the highest paid male model made 1.15 million pounds in 2013 (the years compared differ because there was no data compiled for male model incomes in 2015). The discrepency is not only there when it comes to top models. In an interview (2016), Rose mentions: "I had a brief today that came in and it was 'male model, [pay] £1,500', and the female model was £5,000, for the same usage.'" 

An inverse gender pay gap might come as a surprise. What is little surprising are the traditional ageist patterns prevalent in the industry. Female models do make more money. However, they are discriminated against based on their age at an earlier stage. Men have a longer career path and make the most when they are in their thirties - when a great many female models seem to be sent into retirement (via and via).

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photograph of Capucine via