Friday, 14 May 2021

Martha Cooper: Woman + Photographer.

Martha Cooper was the first women photographer at the New York Post and being the only one there she was often assigned weather related or "soft journalism" photographs since she was "only" a woman and only men could handle hard news such as politics and crime. Cooper went her own way and "shot what she wanted" ... but "she had to fight for it" (via).


::: Martha: A Picture Story: TRAILER



photographs via, via, via and via

Wednesday, 12 May 2021

Football World Cup Team Stereotypes

Here is a lovely collection of football stereotypes...



Germany: A bunch of teutonic robots who play unsexy but merciless and efficient football in rigid formations, and always seem to make at least the semi-finals of everything. They never crack under pressure, suffer injuries, or have major disciplinary issues.

Italy: Gesticulating prima donnas who worship at the altar of the beautiful game and fly into the air screaming and clutching at their limbs at the slightest tap. Often disappointments, but when everything clicks, (...), it’s beautiful.

England: A bunch of egotistical Premier League superstars who on paper should be dominant but can never quite figure out how to play together. No matter the tactical genius of whatever European coach has been brought in, they always end up just hoofing it downfield over and over and largely failing to score. Utterly doomed if things go to penalties.

Brazil: Forever the kings of football, whose legendary stars like Pele and Ronaldo could create goals out of nothing and dance around whole teams with a smile on their face.

Argentina: They run circles around everyone and score some of the most beautiful goals in football’s history, but they’re also dirty rotten cheaters. Wait, can you tell this is being written by an England fan?

United States: Chipper, harmless underdogs who just learned how to play “soccer” (lol wut) last week or so and probably compete in some sort of amateur league back home. Weirdly good at producing internationally renowned goalies. Can’t seem to decide on a color for their uniform—are they red? White? Blue? Some combination featuring stripes? (literally via)
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photograph (Gigi Riva) via

Monday, 3 May 2021

Boy George: "past a certain age"

"For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term."
Boy George



photograph via

Sunday, 2 May 2021

Framing "Honour" Killings

Treating issues such as "honour" killing within migrant communities has proven to be difficult since it is often linked to stigmatising them as backward and "other". Generally speaking, in dominant public discourse, "honour" killing is associated with Islamic and/or Arab cultures.



"Honour" killings are mostly seen as culture-bound but these culture-based frames are not the only approach. Multicultural societies also offer gender-based frames defining the concept of so-called honour as patriarchal rather than cultural and regarding "honour" killings as part of violence against women (Ercan, 2014) since the victims are women and girls (via). Gender-based frames are seen as way to avoid the division of majority and minority culture. According to an analysis of problem definitions in Britain and Germany, "the British debate focuses on the gender-related dimension of 'honour killings'" and sees it as violence against women while in Germany, "honour" killings are discussed as "a culturally specific type of murder" (Ercan, 2014).

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- Ercan, S. A. (2014). Same Problem, Different Solutions: The Case of 'Honour Killing' in Germany and Britain. In A. K. Gill et al. (eds.) 'Honour' Killing and Violence. Palgrave Macmillan
- photograph via

Saturday, 1 May 2021

Masculine? Feminine? Claude Cahun.

"Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me."
Claude Cahun



Claude Cahun (1894-1954), born Lucy Renee Mathilde Schwob, was a French Surrealist photographer who explored gender identity and protested gender norms. She chose "Claude" since the name was ambiguous and could refer to both a man and a woman. This very ambiguity became a theme in her exploration.

Together with muse and lover Marcel Moore (a pseudonym), Cahun became active as a resistance worker - disguised as non-Jews - placing pamphlets in soldiers' pockets. In a church, they hang a banner saying "Jesus is great, but Hitler is greater – because Jesus died for people, but people die for Hitler" (via and via and via and via).
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photograph (1927) via