Doing Gender in Coffee Shops

"Overall my observations confirmed my assumption that the majority of customers frequenting Coffee Corps displayed either hegemonic masculinity or emphasized femininity (Connell 1987). However, the focus of my research was to identify gender maneuvering strategies (Schippers 2002), therefore the results of this study suggest that many individuals performed gender displays which differed from their perceived primary gender expression to varying degrees...



...These displays often seemed to reify hegemonic masculinity when enacted by individuals displaying an overall masculine or feminine gender display, and conversely a few individuals appeared to challenge the gender hierarchy through a display of an alternative femininity. Examples of gender maneuvering were often observed in the interactions of mixed-gender dyads in which individuals attempted to access masculine cultural capital through a temporary display of hegemonic masculinity or emphasized femininity." 
McClean, 2014 

"The way in which customers interact with employees shapes and reinforces present notions of gender. Many of my coworkers are verbal about their under-standing of male and female gender performances. At times, they were quick to assume passivity or compliance from female customers regardless of their engagement with emphasized fem-ininity as well as assumed assertiveness and confidence in men regardless of the performances of hegemonic masculinity. In es-sence, they were quick to essentialize male and female behavior based on the traditional gender performances that took place at The Coffee House. Therefore, traditional gender performances were also upheld by my coworkers through their narratives of essentialist gender differences." 

Limbourg, 2003

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- Limbourg, A. (2003). Large Americano, Extra Masculine: How People Do Gender at the Coffee House. Journal for Undergraduate Ethnography, 3(2), link
-McClean, J. (2014). Gender Maneuvering over Coffee: Doing Gender through Displays of Hegemonic Masculinity and Alternative Femininity. Journal for Undergraduate Ethnography, 4(2), 19-31.
- photograph by Saul Leiter via

Sunny and cold with a small chance of snow and a higher chance of inclusion

New German Media Makers, an association of journalists with different backgrounds, has named a low-pressure system bringing low temperatures Ahmet, after a boy's name of Turkish origin in order to make weather news more cross-cultural and make the country's ethnic diversity more visible. Other names to follow for low-pressure systems are Cemal, Goran, Hakim and Dimitrios, and Bożena, Chana or Dragica for high-pressure systems (via).



"The weather-naming project, which the group dubbed #WeatherCorrection, is a symbolic initiative demanding that Germany’s diversity be better reflected across society. The group is lobbying German media outlets to establish hiring quotas for journalists of colour and from migrant families. The group estimates that journalists of colour are vastly underrepresented in the media in Germany. They say only between 5% to 10% of reporters and editors in Germany have migrant roots."

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photograph by Saul Leiter via

The Pandemic. The Best Time for Elder Financial Abuse.

"Abusers are using the threat of the virus and the isolation to provide misinformation to people. One of the threats that abusers are using is… 'If you don't hand over your check, I can get you put into a nursing home, and you will die there' or 'If you don't hand over your check, I'll come visit you, and I've been out and exposed. Being locked in the house with the person they might be most afraid of — who might be threatening, hurting or manipulating them — it takes a situation that was rocky beforehand and makes it worse in this environment. We expect that it's getting worse."
Bonnie Brandl



photograph by Richard Kalvar (NYC, 1969) via

Rodriguez. Bigger than Elvis.

I wonder about the tears in children's eyes
And I wonder about the soldier that dies
I wonder will this hatred ever end?
I wonder and worry, my friend
I wonder, I wonder, wonder don't you?

"The first white anti-Apartheid movement derived [inspiration] from a few rock bands. Rodriguez was the first artist that actually had political content that was anti-establishment that got heard. ... By remote control, Rodriguez was actually changing a society." 

Malik Benjelloul

In the 1970s, Sixto Rodriguez was a superstar in South Africa where some of his songs became anthems of the anti-Apartheid movement (via) ... making him bigger than Elvis ... and where his music was "outlawed by the authorities and only played on pirate radio" (via). 

It’s the plaintive, yearning, totally honest-and-true way that Rodriguez sings, combined with his easy fingering on a six-string guitar, that touches the heart and mind. That’s why his music is said to have the political impact and cultural clout of the early Bob Dylan. (via)

Rodriguez grew up witnessing first-hand the oppression throughout the city (Detroit). What he experienced on the streets inspired his songs, and he began his musical career–or attempted to. During the day, Rodriguez was a hard-working laborer who worked in demolition and housing restoration, and by night he was a melodic, poetic messenger, a voice for the locally oppressed. (via)

photograph via, song "I wonder" via YouTube

... entirely spurious ... but important

"All nationalistic distinctions - all claims to be better than somebody else because you have a different-shaped skull or speak a different dialect - are entirely spurious, but they are important so long as people believe in them."
George Orwell



photograph by James Barnor via