Showing posts with label Santu Mofokeng. Show all posts
Showing posts with label Santu Mofokeng. Show all posts

Friday, 5 July 2024

Santu Mofokeng: Testing How Many Eccentricities a Picture Can Tolerate before it Breaks apart

Santu Mofokeng (1956-2020) was a South African photographer and member of the Afrapix collective. He started working under the sign of David Goldblatt, his teacher, but showed a different approach. While Goldblatt's photographs were rather careful, precise, "pointed and outwardly political", Mofokeng's work was marked by feelings of alienation testing "how many eccentricities a picture can tolerate before it breaks apart". Mofokeng, according to an article, "portrayed the feelings of black South Africans, and in doing so examined their country's collective subconscious" (via).

photograph (16 June Commemoration, Regina Mundi, Soweto, 1986) by Santu Mofokeng via

Tuesday, 18 June 2024

Township Billboards. By Santu Mofokeng.

"(I should preface by saying the work in this show is seminal. It is the beginning of my investigation of the visual history of township billboards.) 


Perhaps the title should read Township and Billboard. Billboards have been the medium of communication between the rulers and the denizens of townships since the beginning of the township. The billboard is a fact and feature of township landscape. It is a relic from the times when Africans were subjects of power and the township was a restricted area; subject to laws, municipality by-laws and ordinances regulating people's movements and governing who may or may not enter the township. It is without irony when I say that billboards can be used as reference points when plotting the history and development of the township. Billboards capture and encapsulate ideology, the social, economic and political climate at any given time. They retain their appeal for social engineering.


Apartheid billboards were very austere, and were chiefly concerned with the 'sanitation syndrome'. The economic boom of the sixties introduced American style highway advertising billboards thus rendering Apartheid ideology anonymous and opaque. In the politically turbulent period of the '70s and '80 the overtly political billboards made their return. This time the struggle was for the hearts and minds of the populace. Recently, with the liberalization of politics the billboard is chiefly used to address the rising consumer culture and the anxiety caused by the HIV/AIDS pandemic. This last is a campaign partly financed by government.


 
I read somewhere that ads create a sense of participating in the utopia of beauty: Life as it should be. A drive from the city into Soweto will quickly dispel this notion as misguided. Billboards line the freeway on both sides. In the name of freedom of speech one's cultural sensibility is assaulted by textual and visual messages. The trip can hardly be described as boring. Nobody ever complains of the visual pollution. At the high speed of a minibus taxi, the billboards roll by like flipping pages in a book. The retina registers arcane and inane messages about sex and cell-phones, mostly sex and cell-phones. Perhaps this is a coincidence. I wonder."


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photographs by Santu Mofokeng via 

Sunday, 16 June 2024

"Early in the morning, there's tolerance and later in the day it disappears." On Stress and Stigma.

Abstract: Stress is a challenge among non-specialist health workers worldwide, particularly in low-resource settings. Understanding and targeting stress is critical for supporting non-specialists and their patients, as stress negatively affects patient care. Further, stigma toward mental health and substance use conditions also impacts patient care. However, there is little information on the intersection of these factors. This sub-analysis aims to explore how substance use and mental health stigma intersect with provider stress and resource constraints to influence the care of people with HIV/TB. 


We conducted semi-structured interviews (N=30) with patients (n=15) and providers (n=15, non-specialist health workers) within a low-resource community in Cape Town, South Africa. Data were analyzed using thematic analysis. Three key themes were identified: (1) resource constraints negatively affect patient care and contribute to non-specialist stress; (2) in the context of stress, non-specialists are hesitant to work with patients with mental health or substance use concerns, who they view as more demanding and (3) stress contributes to provider stigma, which negatively impacts patient care. Findings highlight the need for multilevel interventions targeting both provider stress and stigma toward people with mental health and substance use concerns, especially within the context of non-specialist-delivered mental health services in low-resource settings. (Hines et al., 2024)

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- Hines, A. C., Rose, A. L., Regenauer, K. S., Brown, I., Johnson, K., Bonumwezi, J., Ndamase, S., Ciya, N., Magidson, J. F. & Myers, B. (2024). "Early in the morning, there's tolerance and lter in the day it disappears" - The intersection of resource scarcity, stress and stigma in mental health and substance use care in South Africa. Cambridge Prisms: Global Mental Health, link
- photograph by Santu Mofokeng via