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Monday, 15 January 2024
The Rise of Neoliberal Feminism
Saturday, 7 October 2023
Quoting Bob Hoskins
Bob Hoskins
Bob Hoskins
"I'd say I am partial to women."
Bob Hoskins
Friday, 6 October 2023
Fugitive Feminism. By Akwugo Emejulu.
"Fugitive feminism is a doorway through which I imagine Black women leading the way into the non-human, or perhaps, a beyond-human, future. Fugitive feminism is both the promise and the act of self-rebirthing, into a different reality, where we no longer are circumscribed by the assumptions of humanity that have shaped our liberations struggles by turning our backs on the very thing for which we have struggled for generations - inclusion in womanhood and humanity."
Emejulu (2022:31)
::: Related posting: Fleeing Humanity
- - - - - - - - - - - - - -
- Emejulu, A. (2022). Fugitive Feminism. Silver Press.
- photograph via
Monday, 2 October 2023
Marie-Claire Chevalier, Gisèle Halimi, and the Legalisation of Abortion in France
In 1971, Marie-Claire Chevalier (1955-2022) was still in high school. That year, aged 16, she was raped by a schoolmate, became pregnant and had an - illegal - abortion. Since a law from 1920 prohibited the interruption of pregnancy, she was arrested, along with her mother, the woman who had performed the abortion and two friends who were charged as accomplices.
Marie-Claire Chevalier was prosecuted and imprisoned, her rapist was released (he had been arrested for auto theft and released for denouncing his victim for having had an abortion) (via and via).
French doctors willing to perform the illegal operation commonly charge $900 or more; a trip to London or Geneva for a legal abortion would cost at least $600. Two friends sent Mme. Chevalier to an office secretary who moonlighted as an "angel maker," as the French call an abortionist. Although the secretary charged only $300, she did the job so badly that Marie-Claire hemorrhaged and was taken to a hospital.
The hospital said nothing to the authorities, but Marie-Claire's 19-year-old seducer (sic)—whose own mother described him as "not very attractive." and really interested only in motorcycles—said all too much. Arrested on a theft charge, he started talking about Marie-Claire. The authorities indicted her, her mother, the two friends and the angel maker. All France settled back to cluck over the trial. (via)
Chevalier was represented by Gisèle Halimi (1927-2020) in "a sensational 1972 trial", the "Bobigny trial" (named for the Paris suburb where it took place). Halimi was - with Simone de Beauvoir - one of the founders of "Choisir", a group campaigning for the decriminalisation of abortion which finally happened in 1975. In an open statement, Halimi declared that she herself had had an abortion: "Sometimes it is necessary to break the law to move forward and bring about a change in society." (via and via). More women openly stated having had an abortion to support the case, such as e.g. Delphine Seyrig
Outside the courtroom, there were demnostrations; Paul Milliez became "an unsung hero" of the Bobigny trial (via):
Dr. Paul Milliez, dean of a Paris teaching hospital, a Catholic and father of six, testified that he would have performed Marie-Claire's abortion and that he had done so in a few other cases. Though he had immunity from criminal prosecution as a witness, he was quickly summoned for rebuke by Minister of Health Jean Foyer. When Milliez pointed out that wealthy women can easily get abortions, Foyer told him that "this was no reason why the vices of the rich should be made equally possible for the poor." (via)
Chevalier, her mother and the other women on trial were acquitted in the case that became a landmark one and that certainly paved he way to the legalisation of abortion in France (via and via).
A trial that would not have the sole purpose of defending the defendants (the young girl, her mother and three “accomplices” abortion), but would aim to shake society as a whole, provoke debate, shake consciences, break the taboo on abortion and denounce the legislation in force. A trial that would force the public authorities to face up to a phenomenon that affected nearly a million French women each year and claimed many victims. A trial that would point to the hypocrisy of a system in which the richest got by without any problem, at the cost of trips abroad or stays in private clinics, while the poorest, subject to the “angel makers”, risked their lives and faced the torments of justice. In short, a political trial was needed. (via)
Chevalier won the case but was traumatised by the rape and the abortion that had almost killed her. After the trial, she changed her name and sought to live her life out of the public eye (via and via).
Tuesday, 12 September 2023
Scale of Anti-Feminist Opinion in Europe. From Sweden to Italy. Not the Anticipated Results.
Italy, rather associated with macho politics than with feminist values, might be a country with changing attitudes. According to a survey carried out in eight European countries in 2020 and released in 2021, Italians are the least likely to blame feminism for men feeling marginalised and demonised. In Sweden, a country that is often seen as "a bastion of progressive gender-equality politics", 41%, i.e., more people than anywhere else, agree with the following statetement: "It is feminism's fault that some men feel at the margins of society and demonised."
The trend in Sweden might be explained as a backlash to successful feminist movements of the past. In other words, victories of Swedish feminist could have activated opposite atttitudes. Anti-feminist views are more or less also expressed in other countries: 30% in Poland, 28% in the UK, 26% in France, 22% in Hungary, 19% in Germany, 15% in the Netherlands, and, finally, only 13% in Italy (via).
- - - - - - - - -
photograph by Erich Lessing (Cesenatico, 1960), Magnum Photos via
Friday, 4 August 2023
Fleeing Humanity. By Akwugo Emejulu.
"When did you first learn that you were a non-human? For me, it was a slow realisation. To begin with, I formly rejected the idea. When a white boy in third grade called me a n*gger and I ran to my white teacher in tears, she, unmoved, simply shrugged her shoulders and told me to ignore it. And that was that. (...)" Emejulu (2022:11)
"Granny, as we called her, had incredible stories. Her stories were my first introduction to Blackness, and, by extension, aspirational humanness." (ibid.:15) "My grandmother did not want to be white, even though (...) she had the ability to disappear into whiteness. It never occurred to her to be white - she wanted to be human. But, of course, I now understand that it is impossible to separate the two." (ibid.:17)
"The understanding of my non-humanity crept up on me and now I cannot let it go. I want to pick it up, turn it over in the light. Study it. Understand it. And embrace it. I can't say exactly how I came to this realisation. I felt my exclusion from the supposedly universal category of the 'human' most keenly in my alienated relationship to the social sciences: much of it didn't apply to me or Black women more generally because it was the work of white scholars describing their implicitly white world. Also, in my exhausting encounters in feminist activist and academic circles, I had to constantly remind my white 'sisters' that Black women were, in fact, women (...). (ibid.:19f)
"To believe I am non-human does not mean I believe in my own inferiority. Rather, it means I believe that the human is a construction of whiteness and any discussion about Black inferiority is a product of the futile struggle to be recognised as human." (ibid.:23)
- - - - - - - -
- Emejulu, A. (2022). Fugitive Feminism. Silver Press.
- photographs of Diana Ross by Harry Langdon via and via
Friday, 17 February 2023
Quoting Matilda Joslyn Gage
Wednesday, 11 January 2023
The Fortunate American Woman And Some More Phyllis Schlafly Quotes
Phyllis Schlafly, née Phyllis Stewart, was a US-American political activist opposing the women's movement and the Equal Rights Amendment, who was convinced that ...
"American women are so fortunate. When I got married, all I wanted in the world was a dryer so I didn't have to hang up my diapers. And now women have paper diapers and all sorts of conveniences in the home. And it is the man and the technology that has made the home such a pleasant place for women to be."
Phyllis Schlafly
Phyllis Schlafly
Phyllis Schlafly
Phyllis Schlafly
Phyllis Schlafly
"A lot of people don't understand what feminism is. They think it is about advance and success for women, but it's not that at all. It is about power for the female left. And they have this, I think, ridiculous idea that American women are oppressed by the patriarchy and we need laws and government to solve our problems for us."
Phyllis Schlafly
photograph via
Monday, 9 January 2023
Phyllis Schlafly's Campaign Against the Equal Rights Amendment
When you make the laws apply equally to men and women, you end up taking away many of the rights that women now have.
Schlafly’s opposition to the ERA was unique for its aggressive disdain for feminism and its political savvy. But it revealed an older tension that gripped women’s organizing since the late 19th century. Before and after the passage of the 19th Amendment, many feminists wondered if legally mandated equality actually served poor and working-class women since these measures could potentially undo hard-fought protections that acknowledged women’s disadvantaged position in the workplace and the home. (Wiesner & Mellon, 2020)
Sunday, 13 November 2022
After Black Power, Women’s Liberation. By Gloria Steinem (1969)
Thursday, 27 October 2022
"I wanted to look ambiguous."
Wednesday, 23 February 2022
Save the date
- - - - - - - - - -
- Moazedi, M. L. (2022). Woman or old? On the intersection of age and gender and the gaze of youth in Western feminism. THE WU Gender and Diversity Conference 2022 Diversity, Diversity Management and Intersectionality in a Global Context - Dynamics and Realignments, 24th to 25th of March, 2022.
- photograph by Garry Winogrand
via
Wednesday, 26 January 2022
Feminism Ignoring Ageism
"... we discussed the ageism that permeates our knowledge, our culture, and our daily lives. That this ageism appears among scholars should surprise no one. However, some might assume that those of a more critical bent, particularly feminist scholars, would be more aware of age-based oppression.
Nevertheless, feminists are not necessarily any more attuned to ageism than are other scholars. Despite their attention to power relations, their work, for the most part, also ignores age relations. On those relatively rare occasions when they do mention age, they either avoid old age or fail to theorize age relations as a unique inequality. Indeed, age-based oppression is treated as a given, mentioned in a way that is meant to indicate some lovel of shared understanding that "we all know what that is" - a black box to be taken for granted rather than opened and understood. Such theories of inequality imply but never declare who benefits from the oppression faced by the old." (Calasanti & Slevin, 2001:187).
- - - - - - -
- Calasanti, T. M. & Slevin, K. F. (2001). Gender, Social Inequalities,
and Aging. Walnut Creek et al.: Altamira Press
- photograph by Diane Arbus
via
Friday, 6 November 2020
Feminism, too, is ageist.
There is, e.g., literature on bodies but hardly any discussion of old bodies. When discussing the "male gaze" in visual media, for instance, their critiques focus on "the male defined nature of both cosmetic surgery and the skin-care industry". There is absolutely no discussion of the "gaze of youth" which like any other gaze "freezes a person as an object defined by subordinate status", conveying messages that are internalised; there is no exploration of what women feel when they are cast aside rather than objectified. The ageing process makes women grow invisible as sexual beings … "not only in terms of the disappearance of the desirous male gaze, for instance, but also in terms of neglect by younger members of the women’s movement and lesbian communities".
An inadvertent but pernicious ageism burdens much of women’s studies scholarship and activism. It stems from failing to study old people on their own terms and from failing to theorize age relations—the system of inequality, based on age, which privileges the not-old at the expense of the old (Calasanti 2003). Some feminists mention age-based oppression but treat it as a given—an “et cetera” on a list of oppressions, as if to indicate that we already know what it is. As a result, feminist work suffers, and we engage in our own oppression. Using scholarship on the body and carework as illustrative, this article explores both the absence of attention to the old and age relations, and how feminist scholarship can be transformed by the presence of such attention.
Feminists have analyzed how terms related to girls and women, such as “sissy” and “girly,” are used to put men and boys down and reinforce women’s inferiority. Yet we have not considered the age relations that use these terms to keep old and young groups in their respective places. For instance, we have been mostly silent about the divisive effects of the so-called “age war” in which the media fuel animosity between generations (…).- - - - - -
- Calasanti, T., Slevin, K. F. & King, N. (2006). Ageism and Feminism: From "Et Cetera" to Center. Feminist Formations, 18(1), 13-30; LINK
- photograph by Joel Meyerowitz
Friday, 15 May 2020
The C*nt Cheerleaders
Schor (2009)
"To contemporary readers the use of the crude slang term cunt will generally be understood in a derogatory way, but this is not necessarily how Rowbotham understood it at the time. Like the reclamation of the negative term queer in the gay and lesbian community and the sitll controversial use of the term nigger by blacks, there was a (now decisively failed) feminist effort made to reclaim the word cunt in positive terms. A great U.S. example of this would be the "cunt cheerleaders," students from Judy Chicago and Miriam Shapiro's Feminist Art Program at Cal Arts, who would turn out at the local airport in cheerleading costumes that spelled out the word cunt to greet feminists visiting the program."
Wilson (2015)

- Schor, M. (2009). A Decade of Negative Thinking. Essays on Art, Politics, and Daily Life. Durham & London. Duke University Press.
- Wilson, S. (2015). Art Labor, Sex Politics. Feminist Effects in 1970s British Art and Performance Minneapolis: University of Minnesota Press
- photographs via and via and via
Sunday, 8 April 2018
Annabel's Dilemma (2017)
In the middle of the kitchen table
And she watches as another one
Drips from his nose into the deep
And he keeps talking and talking and talking
But talk is cheap and weak and watered down
Just another awkward sound she doesn't need to hear
He's just a shadow only half a man
And she can hardly muster even half a damn about this
Sorry situation
In the the back room, kids are watching Frozen
Fate's her only opponent
Hey, Annabel
What you gonna do girl?
Hey, Annabel
What you gonna do now?
There's only so many times
A grown woman can swallow this
Hollowness
Before her itchy trigger finger
Starts to wake her in the dead of night
So she goes walking and walking and walking
But these old streets don't change
There's no metamorphosis here
Were you really gonna wait until the coast was clear?
Were you really gonna wait?
She's just a shadow
Only half a human
Living a half-life inside the institution of what?
Does she only ever get what she's got?
With the voices in her head all screaming
Hey, Annabel
What you gonna do girl?
Hey, Annabel
What you gonna do now?
In the pre-dawn silence
Her hands are shaking too hard
To hold a secret cigarette
Strange kind of violence
When the blows never land
And the blood's never let
Annabel
You're one of the best
We'll always love you
Even if he don't
We'll always love you
Even when he won't
Annabel
You're one of the best
Only a winner on a losing streak
When you can't find strength
Doesn't mean your (sic) weak
These were always someone else's decisions
This was always someone else's life
These were always someone else's decisions
This was always someone else's life
These were always someone else's problems
This was always someone else's wife
It was always someone else's husband
It was always someone else's wife
lyrics via
- - - - - -
Just Jack Sunday Link Pack:
::: Get Your Shoes On: WATCH/LISTEN
::: Disco Friends (Ford Lane Version): WATCH/LISTEN
::: Hymn For Her: WATCH/LISTEN
::: Starz In Their Eyes: WATCH/LISTEN
::: No Time: WATCH/LISTEN
::: Inside: WATCH/LISTEN
::: Alchemist: WATCH/LISTEN
Wednesday, 1 November 2017
Born this day ... Hannah Höch
"Looking back on that great early 20th century upsurge which turned art upside down, it’s all men, men, men. Cubism, Futurism, Dadaism and all the other great world-changing isms were about testosterone-fuelled mega-egos buffeting each other in the creation of mind-bending imagery and belligerent manifestos. There were, of course, plenty of women around in Paris, Berlin and the other great centres, but they tend — even if they were artists themselves — to be seen as appendages to better-known men; as muses, models and tea-makers rather than as contributors to the greatest artistic revolution the world has even seen."
Mark Hudson
A famous work of hers is "Cut with the Kitchen Knife" using "kitchen knife" to "symbolise her cutting through male-dominated society" (via).
"Höch was one of several women associated with Dada, besides artist Sophie Täuber and performer/poet Emmy Hennings, but she was not given a nickname or included in all of the Berlin group’s activities. The significance of her position in Dada, and in Germany, is highlighted: having worked in the industry, Höch often used images from fashion magazines, pasting male heads on to female bodies or vice versa. Her critique of traditional gender roles and how they upheld a conservative society is often subtle, especially when compared to post-war feminist art, but is most effective when making explicit the role of violence in maintaining them: The Father (1920) is particularly jarring, placing a composite of male authority heads onto a woman’s body in a white dress, her feet in stilettos, with a boxer punching the baby in her arms."The mid-1920s idea of the "New Woman" - a product of women getting the vote - was one Höch very much engaged in. This idea was based on gender equality, nevertheless, many of the modern working women with bobbed hair remained in low-status work with unequal pay. Once married, women were not allowed to jobs able-bodied veterans could take.
"Within her circles, Höch was the New Woman, sharing both her style and her frustrations, and her background made her acutely aware of how this figure was a media creation and an advertising target. Portrait of Hannah Höch (1926) and another from 1929 show her looking like the New Woman, with her short hair and androgynous dress, but far from satisfied, let alone liberated." (via)
In the 1930s, Höch was labelled a "cultural Bolshevist" by the Nazis (via), her art branded as "degenerate" (via).
"Höch died in 1978, her place in 20th‑century art history almost, but not quite assured. Postwar histories of dadaism tended to patronise at best; she does not appear at all in Robert Motherwell's 1951 Dada Painters and Poets, and Hans Richter, in 1965, called her "a good girl" with a "slightly nun-like grace". But gradually she snuck into the canon – she was part of the major Dada, Surrealism and their Heritage exhibition at the Museum of Modern Art in 1968 – and scholars and curators have since belatedly recognised that she was both a key dadaist and considerably more: a true pioneer of photomontage and a complex, funny critic of mainstream and art-world misogyny alike."
Brian Dillon
- Hemus, R. (2008). Why Have There Been No Great Women Dadaists? In Kokoli, A. M. (ed.) Feminism Reframed. Reflections on Art and Difference, Newcastle: Cambridge Scholars Publishing, 41-60
- photographs via and via (1975, by Stefan Moses) and via (1974, by Dietmar Bührer) and via
Tuesday, 29 August 2017
Beatlemania, the Menace of Beatlism, Generations, Hysteria & Female Fanaticism
/biːt(ə)lˈmeɪnɪə/
extreme enthusiasm for the Beatles pop group, as manifested in the frenzied behaviour of their fans in the 1960s.
(Google Dictionary)
"Are teenagers different today? Of course not. Those who flock round the Beatles, who scream themselves into hysteria, are the least fortunate of their generation, the dull, the idle, the failures: their existence, in such large numbers, far from being a cause for ministerial congratulation, is a fearful indictment of our education system, which in 10 years of schooling can scarcely raise them to literacy."

"If the Beatles and their like were in fact what the youth of Britain wanted, one might well despair. I refuse to believe it – and so will any other intelligent person who casts his or her mind back far enough. What were we doing at 16? I remember reading the whole of Shakespeare and Marlowe, writing poems and plays and stories. At 16, I and my friends heard our first performance of Beethoven’s Ninth Symphony; I can remember the excitement even today. We would not have wasted 30 seconds of our precious time on the Beatles and their ilk."
"Before I am denounced as a reactionary fuddy-duddy, let us pause an instant and see exactly what we mean by this “youth”. Both TV channels now run weekly programmes in which popular records are played to teenagers and judged. While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! The huge faces, bloated with cheap confectionery and smeared with chain-store makeup, the open, sagging mouths and glazed eyes, the broken stiletto heels: here is a generation enslaved by a commercial machine. Behind this image of “youth”, there are, evidently, some shrewd older folk at work."
Paul Johnson, "The Menace of Beatlism", February 1964 (excerpts)

Teenagers "screaming themselves into hysteria" seemed to be an important aspect of Beatlemania. Shortly after their visit to New Zealand, Taylor carried out empirical research but found "no evidence from the Hysteria Scale of the Minnesota Multiphasic Personality Inventory to support the popular opinion that the enthusiasts were hysterics (...). It was concluded that 'Beatlemania' is the passing reaction of predominantly young adolescent females to group pressures of such a kind that meet their special emotional needs." (Taylor, 1966). As the Beatles had a great many female fans, people were perhaps more likely to call them hysteric since hysteria was traditionally considered to be a female disease.


In 1841, fans of Hungarian composer and pianist Franz Liszt showed "a level of fanaticism similar to the Beatles" (via). Soon the term "Lisztomania" was coined, characterised by "intense levels of hysteria" (via). Before the Beatles, there was Liszt, there was Elvis, there was Sinatra. The "mass hysteria" surrounding the Beatles, however, was unprecedented.
"Prior to the Beatles’ arrival on the music scene in 1963, young girls were typically quiet followers of the postwar culture, resigning themselves to domestic responsibilities and stricter parental control."The Fab Four, when they started, had no "overtly masculine overtones", their style deviated from the traditional hyper-masculine image at the time. The "moderated type of masculinity" may have added to their allure among young female fans. It is also argued that their collective image contributed to their mass appeal amongst teenage girls. Unlike Presley and Sinatra - who were the lead singers in the centre accompanied by a band or an orchestra - the Beatles performed without hierarchical roles. Since women are said to rather create collaborative groups which they prefer to hierarchical structures, their collective image may also have been particularly appealing to female fans. In addition, the Beatles covered "girl group material", wrote songs about sensitivity, romance, collectiveness, transformed "female dependence into male vulnerability". A great many songs were directly addressed to their (female) fans. In "She Loves You", for instance, the man is encouraged to apologise to her, which was new at the time. Their portrayal of women was more positive; women were not idealised but fully-formed characters, the image of love was egalitarian. And, it was the 1960s, a decade marked by the Beatles and women's search for liberation.
"The women’s movement didn’t just happen. It was an awareness that came over you—that you could be your own person. For many of us, that began with the Beatles. They told us we could do anything." Marcy Lanza, quoted in Pelusi, 2014
"As Jonathan Gould notes, the Beatles were able to provide a “socially and emotionally secure environment for the expression of female assertiveness, aggression, sexuality, and solidarity” with their unique image and empowering lyrics. This musical environment allowed for the expansion of Beatlemania, a collective hysteria where girls wept, screamed, and fainted at the mere thought of seeing their idols in person. Such is the influence of the Beatles’ music that even today, the group remains one of the most popular and well-loved of all time. From the 1960s onwards, Beatlemania spread “Across the Universe,” forever leaving its mark as one of the most notable influences on the gender revolution that grew into the unrelenting musical and pop culture phenomenon, one that is still remembered and celebrated today." Cura, 2009

"Individually, teenagers are isolated and worried and scared all the time of whether or not they're doing the right things and wearing all the right clothes, but everybody liked The Beatles so everybody was equal, we were all in it together." Clerc
More Beatlemania:
::: A taste of Beatlemania in the 1960s: WATCH
::: Beatlemania, Liverpool & L.A. fans, 1982: WATCH, the sound of the first seconds: LISTEN
::: Beatles welcome home, London, 1964: WATCH
::: Beatles take over Holland, Amsterdam, 1964: WATCH
::: Beatles in Sydney, 1964: WATCH
::: Beatles in Hamburg, 1966 (in German): WATCH
::: Beatles fans get interviewed, 1964: WATCH
::: More Beatles fans: WATCH

- Cura, K. (2009). She Loves You: The Beatles and Female Fanaticism. Nota Bene: Canadian Undergraduate Journal of Musicology, 2(1), Article 8. 104-113.
- Pelusi, A. J. (2014). Doctor Who and the Creation of a Non-Gendered Hero Archetype. Theses and Dissertations, Paper 272. Illinois State University.
- photographs via and via and via and via and via and via and via and via and via and via and via and via and via; copyrights by the respective owners
Tuesday, 13 June 2017
Declaration of the Rights of Woman and the Female Citizen, by Olympe de Gouges (1791)
The Rights of Woman
Man, are you capable of being just? It is a woman who poses the question; you will not deprive her of that right at least. Tell me, what gives you sovereign empire to opress my sex? Your strength? Your talents? Observe the Creator in his wisdom; survey in all her grandeur that nature with whom you seem to want to be in harmony, and give me, if you dare, an exampl of this tyrannical empire. Go back to animals, consult the elements, study plants, finally glance at all the modifications of organic matter, and surrender to the evidence when I offer you the menas; search, probe, and distinguish, if you can, the sexes in the administration of nature. Everywhere you will find them mingled; everywhere they cooperate in harmonious tpgetherness in this immortal masterpiece.
Man alone has raised his exceptional circumstances to a principle. Bizarre, blind, bloated with science and degenerated--in a century of enlightenment and wisdom--into the crassest ignorance, he wants to command as a despot a sex which is in full possession of its intellectual faculties; he pretends to enjoy the Revolution and to claim his rights to equality in order to say nothing more about it.
Declaration of the Rights of Woman and the Female Citizen
Preamble
Mothers, daughters, sisters [and] representatives of the nation demand to be constituted into a national assembly. Believing that ignorance, omission, or scorn for the rights of woman are the only causes of public misfortunes and of the corruption of governments, [the women] have resolved to set forth a solemn declaration the natural, inalienable, and sacred rights of woman in order that this declaration, constantly exposed before all members of the society, will ceaselessly remind them of their rights and duties; in order that the authoritative acts f women and teh athoritative acts of men may be at any moment compared with and respectful of the purpose of all political institutions; and in order that citizens' demands, henceforth based on simple and incontestable principles, will always support the constitution, good morals, and the happiness of all.
Consequently, the sex that is as superior in beauty as it is in courage during the sufferings of maternity recognizes and declares in the presence and under the auspices of the Supreme Being, the following Rights of Woman and of Female Citizens.
Article I
Woman is born free and lives equal to man in her rights. Social distinctions can be based only on the common utility.
Article II
The purpose of any political association is the conservation of the natural and impresciptible rights of woman and man; these rights are liberty property, security, and especially resistance to oppression.
Article III
The principle of all sovereignty rests essentially with the nation, which is nothing but the union of woman and man; no body and no individual can exercise any authority which does not come expressly from it (the nation).
Article IV
Liberty and justice consist of restoring all that belongs to others; thus, the only limits on the exercise of the natural rights of woman are perpetual male tyranny; these limits are to be reformed by the laws of nature and reason.
Article V
Laws of nature and reason proscibe all acts harmful to society; everything which is not prohibited by these wise and divine laws cannot be prevented, and no one can be constrained to do what they do not command.
Article VI
The law must be the expression of the general will; all female and male citizens must contribute either personally or through their representatives to its formation; it must be the same for all: male and female citizens, being equal in the eyes of the law, must be equally admitted to all honors, positions, and public employment according to their capacity and without other distinctions besides those of their virtues and talents. Article VII No woman is an exception; she is accused, arrested, and detained in cases determined by law. Women, like men, obey this rigorous law.
Article VIII
The law must establish only those penalties that are strictly and obviously necessary...
Article IX
Once any woman is declared guilty, complete rigor is exercised by law.
Article X
No one is to be disquieted for his very basic opinions; woman has the right to mount the scaffold; she must equally have the right to mount the rostrum, provided that her demonstrations do not disturb the legally established public order.
Article XI
The free communication of thoughts and opinions is one of the most precious rights of woman, since that liberty assures recognition of children by their fathers. Any female citizen thus may say freely, I am the mother of a child which belongs to you, without being forced by a barbarous prejudice to hide the truth; (an exception may be made) to respond to the abuse of this liberty in cases determined by law.
Article XII
The gaurantee of the rights of woman and the female citizen implies a major benefit; this guarantee must be instituted for the advantage of all, and not for the particular benefit of those to whom it is entrusted.
Article XIII
For the support of the public force and the expenses of administration, the contributions of woman and man are equal; she shares all the duties and all the painful tasks; therefore, whe must have the same share in the distribution of positions, employment, offices, honors, and jobs.
Article XIV
Female and male citizens have the right to verify, either by themselves of through their representatives, the necessity of the public contribution. This can only apply to women if they are granted an equal share, not only of wealth, but also of public administration, and in the determination of the proportion, the base, the collection, and the duration of the tax.
Article XV
The collectivity of women, joined for tax purposes to the aggregate of men, has the right to demand an accounting of his administration from any public agent.
Article XVI
No society has a constitution without the guarantee of rights and the separation of powers; the constitution is null if the majority of individuals comprising the nation have not cooperated in drafting it.
Article XVII
Property belongs to both sexes whether united or separate; for each it is an inviolable and sacred right' no one can be deprived of it, since it is the true patrimony of natire, unless the legally determined public need obviously dictates it, and then only with a just and prior indemnity.
Postscript
Woman, wake up; the tocsin of reason is being heard throughout the whole universe; discover your rights. The powerful empire of nature is no longer surrounded by prejudice, fanaticism, superstition, and lies. The flame of truth has dispersed all the clouds of folly and usurpation. Enslaved man has multiplied his strength and needs recourse to yours to break his chains. Having become free, he has become unjust to his companion. Oh, women, women! When will you cease to be blind? What advantage have you received from the Revolution? A more pronounced scorn, a more marked disdain. In the centuries of corruption you ruled only over the weakness of men. The reclamation of your patrimony, based on the wise decrees of nature-what have you to dread from such a fine undertaking? The bon mot of the legislator of the marriage of Cana? Do you fear that our French legislators, correctors of that morality, long ensnared by political practices now out of date, will only say again to you: women, what is there in common between you and us? Everything, you will have to answer. If they persist in their weakness in putting this non sequitur in contradiction to their principles, courageously oppose the force of reason to the empty pretentions of superiority; unite yourselves beneath the standards of philosophy; deploy all the energy of your character, and you will soon see these haughty men, not groveling at your feet as servile adorers, but proud to share with you the treasures of the Supreme Being. Regardless of what barriers confront you, it is in your power to free yourselves; you have only to want to....
Marriage is the tomb of trust and love. The married woman can with impunity give bastards to her husband, and also give them the wealth which does not belong to them. The woman who is unmarried has only one feeble right; ancient and inhuman laws refuse to her for her children the right to the name and the wealth of their father; no new laws have been made in this matter. If it is considered a paradox and an impossibility on my part to try to give my sex an honorable and just consistency, I leave it to men to attain glory for dealing with this matter; but while we wait, the way can be prepared through national education, the restoration of morals, and conjugal conventions.
Form for a Social Contract Between Man and Woman
We, _____ and ______, moved by our own will, unite ourselves for the duration of our lives, and for the duration of our mutual inclinations, under the following conditions: We intend and wish to make our wealth communal, meanwhile reserving to ourselves the right to divide it in favor of our children and of those toward whom we might have a particular inclination, mutually recognizing that our property belongs directly to our children, from whatever bed they come, and that all of them without distinction have the right to bear the name of the fathers and mothers who have acknowledged them, and we are charged to subscribe to the law which punishes the renunciation of one's own blood. We likewise obligate ourselves, in case of separation, to divide our wealth and to set aside in advance the portion the law indicates for our children, and in the event of a perfect union, the one who dies will divest himself of half his property in his children's favor, and if one dies childless, the survivor will inherit by right, unless the dying person has disposed of half the common property in favor of one whom he judged deserving.
That is approximately the formula for the marriage act I propose for execution. Upon reading this strange document, I see rising up against me the hypocrites, the prudes, the clergy, and the whole infernal sequence. But how it [my proposal] offers to the wise the moral means of achieving the perfection of a happy government! . . .
Moreover, I would like a law which would assist widows and young girls deceived by the false promises of a man to whom they were attached; I would like, I say, this law to force an inconstant man to hold to his obligations or at least [to pay] an indemnity equal to his wealth. Again, I would like this law to be rigorous against women, at least those who have the effrontery to have reCourse to a law which they themselves had violated by their misconduct, if proof of that were given. At the same time, as I showed in Le Bonheur primitit de l'homme, in 1788, that prostitutes should be placed in designated quarters. It is not prostitutes who contribute the most to the depravity of morals, it is the women of' society. In regenerating the latter, the former are changed. This link of fraternal union will first bring disorder, but in consequence it will produce at the end a perfect harmony.
I offer a foolproof way to elevate the soul of women; it is to join them to all the activities of man; if man persists in finding this way impractical, let him share his fortune with woman, not at his caprice, but by the wisdom of laws. Prejudice falls, morals are purified, and nature regains all her rights. Add to this the marriage of priests and the strengthening of the king on his throne, and the French government cannot fail.
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photograph via
Description: "On Aug. 26, 1971, thousands of women demonstrated and leafleted in various places in Manhattan, including Wall Street and St. Patrick's Cathedral. The Women's Rights Day activities culminated in a parade of nearly 6,000 people, including this woman, down Fifth Avenue in support of equal rights (Credit: Newsday / Jim Peppler)"
Monday, 27 February 2017
Cumberbatch and Cumberbitches
"It’s like trying to squeeze a confession out of me getting me to actually say that word, because I squirm a little bit about it.
I definitely didn't [come up with it]. That's part of my problem with it. I just went: 'Ladies, this is wonderful. I'm very flattered, but has this not set feminism back a little bit? Empower yourselves if you're going to get silly about a guy with maybe a little bit more of a sort of, you know, a high-regard, self-regarding name!'"
Benedict Cumberbatch
Photograph: The t-shirt was designed by Elle and Whistles, the phrase "This is what a feminist looks like" was coined by The Fawcett Society (via).
And in case you are having a masochistic moment and wish to torture yourself - here is a link to Breitbart's reaction to this photograph: LINK
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